‘Of Figs and Bougainvillea’ – start of a new novel

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I have finally begun writing my new novel, ‘Of Figs and Bougainvillea’. It is a literary story set in apartheid South Africa and will be the fruition of extensive research and thinking!

This blog will be dedicated to the process from beginning to end of writing the story. I hope you will follow me on my journey and also share your experiences by commenting below the posts. You can also follow me on twitter and facebook – just click on the links to the left of your screen.

Thank you for reading and I look forward to sharing with you….

Sophie Whitley Flavell

SLAM: poetry or hip hop?

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The world of SLAM is becoming more mainstream in the UK. Schools have slam poetry festivals, there are national competitions, slam tents at every music, literary and poetry festival. Its appeal to teenagers is growing. But why is this? And is slam really poetry or is it hip hop in disguise?

In this month’s Poetry Review (Volume 100:2, Summer 2010) Ben Mellor and Lemn Sissay have written their views on slam. Sissay is concerned with the X-Factor approach to slam, ‘I don’t hate slam poets. I don’t even hate the scene. I just believe that … the most important judge of your poem is not an audience with score cards, it’s not even the other poets on the bill: it is yourself’. Wise words too. Is slam really poetry when the words are not judged for the words but for the performance? Mellor notes ‘that a weak poem strongly performed is more likely to do well than a strong poem weakly performed’. So, if slam is a performance, does this in itself qualify it as rap or hip hop? Or dub poetry?

In short, I don’t care. I don’t want to put slam in a box. Like any art, it has its roots, but it is what it is and its potential for introducing children to poetry is staggering. There is an annual competition: The UK School Slam Poetry Competition. Our local school was fortunate enough to be part of this and the 13 year old pupils loved it. Their performances were exceptional and without realising it, they were learning the mechanics of poetry: metre, rhythm, pentameters, trochees, feet, syllabic verse…    They were taking poetry from the classics and using it in slam form and by the end, they were all producing poetry that mattered to them. You see, slam invites you to voice your opinions, to get angry, to be pissed off. Those who chose to perform their poetry did so, those who had no inclination of performing compiled an anthology of their poetry. Should we be reaching our children through the medium of hip hop and rap? Hell yes! Why not? There is a link: words, often words that are polemic in nature which is perhaps why slam appeals to teenagers – this is a good way to be heard and what’s more, it is an intelligent way to be heard.

Being faithful to the Birmingham poetry scene, here is Dreadlockalien performing ‘Well done’. He is co-director of the UK schools championships.

Rejections and Rhubarb

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Rhubarb? I am going to talk about rhubarb? Well kind of but not really. Rhubarb is a cafe/ brasserie / restaurant in Royal Leamington Spa and has become a retreat for my writer friends and I. I arrived at noon today to meet J, carrying a bag that was holding a folder of her writing that I had been reading (wonderful and original), her copy of the Bridport Prize winner’s collection from 2009, and a birthday parcel for her to open(an assortment of Moleskine journals). Our get-together was a much needed tonic; being able to talk writing and express our doubts over ever achieving our goals always gives me a renewed enthusiasm. I always come home and write.

Rhubarb has the most delectable interior: maroon walls, dried onions, garlic, chillies, flowers, large brass bowls of fruit, large candles on wax-coated pillars, red fairy lights over art work, huge mirrors, lit lanterns with two candles in each, art deco style lighting – eight globes on each chandelier, varying sized port hole mirrors, plants everywhere, ivy trailing up the oak staircase, cast-iron balustrade, dark, sultry, jazz playing, umbrella stands, papers to read, brown sugar in bowls, carafes filled with water, cream enamel jugs rimmed with black ribbon, home-made cakes under bell jars, drinking glasses in cupboards, long oak bar, croissants on elegant cake stands, candles everywhere, on wine racks, among dried teas stored in jars, casting shadows on the heavy velvet curtains. Need I go on? And the coffee is damn good too.

Had a rejection letter come through today from Mslexia for a poem I submitted to them. I was not too disappointed as it was a poem that I sent in ‘just for the hell of it’. Plus receiving letters of rejection reminds me that I am getting my writing out there and it is at least being read.

Something I must share with you: the other day a baby blue-tit flew into my window. It was somewhat stunned and my two cats were interested in having a second breakfast, so I picked it up. It sat on my hand for about ten minutes and was reluctant to leave when I tried setting it down in a safe place. Finally it stretched its wings for a minute or two then flew away. It was a lovely experience!

When I haven’t been assuming the role of Snow White, I have been brushing up on my grammar skills (please do not judge my grammar in my blog posts – these are conversational ramblings). Now I am reading split-infinitives everywhere.  Also, I have begun (that is an irregular past participle you know!) writing a new short story called ‘The Purple People’.  I should probably be writing more on it this evening, so I will tell you more about that next time.

The beginning of the end….

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My A215 Creative Writing course with The Open University has come to an end. As other A215 bloggers have mentioned, the last couple of months have been extremely busy with coursework: poems, short stories and commentaries. It is fascinating how I can spend eight hours writing one line of a poem, only to scrap it the following day, or procrastinate over a single word for days then feel like I have won the lottery when I find the right one. Such is the writing life, and a good life it is too because when you get it right, which ultimately you do, it feels so damned good. My final assignment started as a short story but then, as many of my short stories do, it cocooned itself over night and emerged as a poem – an 84 line poem. I cannot mention content as it is an examinable piece of work, but the accompanying photographs may offer some insight.

So with my Open University course over, the next course will be a Masters of Arts Degree in Writing at the University of Warwick, with the Warwick Writing Programme. I am thrilled to be starting in October for a year of developing my writing and look forward to meeting fellow writers – one of whom, I was thrilled to discover the other day, will be Ted from the A215 course. He is an extremely funny man and to be in his company is always rewarding. In the meantime, June will be full of writing submissions for both the Ledbury Poetry Competition and The Bridport Prize. Nothing like aiming high! I already have four poems and a short story ready for final editing and will be writing a new story from scratch.

Lemn Sissay & Dove Release Launch

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On Tuesday evening I went  to Warwick Arts Centre to see Lemn Sissay perform his one man show ‘Why I Don’t Hate White People’. I deliberately avoided reviews and descriptions of this show as, being an admirer of his poetry, I wanted to approach it with nothing but wonder. It was a cosy, intimate show in studio with no more than fifty people and Lemn didn’t fail to impress. His show is a reflection of his life to date, jumping between being wrongly taken from his mother, growing up in the care system (‘the Queen was my mum until I was eighteen’) and his experiences of growing up as a black man in predominantly white Lancashire ‘up north is like the arctic; it’s not as cold but just as white’. I would love to tell you more but I recommend you see it instead, or, if you cannot make it to the show, listen to the show that he recorded this week. I am not sure when it is to be aired but I shall post once I find out. Equally good was the Q&A at the end of the show. The questions were varied and I asked Lemn whether he considered himself first and foremost a poet or a performer. His answer, much to my delight, was poet. I was fortunate to speak with Lemn after the show, and his charm and humility was refreshing.

Thursday evening I was back to The University of Warwick, this time to CAPITAL Centre to attend the ‘Dove Release’  launch, an anthology of  poems by sixty poets united by a poetry course at the university. The poetry readings were emotional, hilarious, enticing and presented to perfection in the sweltering studio. Three performances that stood out for me: Poppy James reading with mesmerizing precision her poems ‘Turkish Delight’ and ‘Old Skin’, Luke Kennard reading from ‘Planet-Shaped Horse’ which left  the audience in tears of laughter, and, George Ttoouli and Simon Turner reading a poem which had been fed though Google Translate resulting in readings being delivered in a hysterical format. Peter Blegvad’s ‘magic fingers’ worked his guitar to produced a memorable song that I sang all the way home. Excellent!

Last night I went to listen to Alcester Male Voice Choir. Fifty men in a beautiful church making my feet tremble on the vibrating oak floor by singing with deep bass tones. The tenacity and boldness with which they sang ‘When I was a Rich Man’ was particularly uplifting. I was amused to spot some celebrity look-a-likes in the choir: one man looked like Spike Milligan, another like Ian Hislop, but best of all, on the front row was a very old version of Peter Stringfellow - coiffured silver hair, leathery tanned skin and he looked very much a ladies man. I am laughing now just thinking about it.

Finally, a personal thanks to Lemn Sissay and ‘Lady Grinning Soul’ for directing me towards the Channel 4 documentary ‘White Boy, Black Nanny‘. I was able to watch it on-line and had quite an emotional response to it. I am going to contact the director and writer Mark Rossiter in relation to my research.

Martha, Mira & Women’s Rights

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This week I have been researching the lives of domestic servants during the apartheid in South Africa. In the 1980′s I spent the early part of my childhood living in Southern Africa, and it was during this time that my parents employed a domestic servant, Martha. My fieldwork so far has presented me with an awareness that my childhood memories are inaccurate and that what I assumed was normal was anything but.

The stark truth is a reminder of the difficulty that Martha faced because of the colour of her skin and her gender as a female. As we celebrate National Women’s Day this week, I would like to think that those days are over but it would seem that they are not. In the town that I lived in there are still women living in domestic bondage with no protection from the Government. This is a shocking prospect and perhaps more the reason for me to write my novel to raise awareness of this discrimination.

During my research I kept coming across a film called Maids and Madams – Apartheid Begins at Home.  The documentary was written and directed by award-winning Mira Hamermesh for Channel 4 in 1985 to much acclaim It is an examination of the intense emotional relationships that existed (and still exist) between black domestic workers and their white employers. It is difficult to get hold of this film so I contacted Mira directly who delighted me in saying I could get a copy from her.

Mira herself is a fascinating woman who has experienced religious/race/gender discrimination. In her book of memoirs  The River of Angry Dogs she describes how she fled as a teenager from Poland during World War II, leaving her Jewish family behind. It is an account of her life living in Nazi Europe and offers insight into the terrors of becoming a women during the era. I have not read the book but am expecting it to arrive by post in the next few days.

With the issue of Women’s Rights in mind, I recall a conversation I had with my writer friend JH two weeks ago. We were discussing something, when I said ‘I’m not a feminist but…’ She stopped to ask why I considered myself NOT to be a feminist, or was it that I believe in women’s rights but do not want to associate myself with a word that has such negative connotations? Later I looked at the feminist website The Fawcett Society to see precisely what feminism is about. I was pleased to see that it is not a bunch of women declaring their hatred of men. It is about women campaigning for equality between women and men on pay, pensions, poverty, justice and politics.

Their current campaign that I have pledged my support for is Election 2010 – What about Women. It is an attempt to achieve clarity from the main political parties on their key policies regarding:

•    The Economy – Tax and Spending
•    Work and Family Life
•    Crime and Justice
•    Democracy and Political Reform
•    Attitudes, Media Culture
•    Equality and Human Rights

On a lighter note, I have sent off my application to The Warwick Writing Programme at Warwick University. I am hoping to join their Master’s in Writing in October of this year and hopefully my Writing Portfolio that I sent today in support of my application will persuade them to accept me. I also received my poetry assignment back from my tutor at The Open University and was very pleased with the result and feedback.

Next week:

  • Going to see Lemn Sissay’s show ‘Why I don’t Hate White People’
  • Attending the launch of Dove Release: New Flights and Voices, a major new anthology of new poetry, edited by the award-winning David Morley.

 

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